Gene Hackman brings a equal mix of unusual serenity and touching pathos to his role of the would-be inventor who manages to find his true self by losing nearly everything that was once-important in his life. Though Tramont's direction may be a tad too limp, his skewed perception of the American dream gives the film a dreamy, almost art house-like feel that makes the film more inherently interesting than the screen play would merit alone.Īlso, the varied cast is a lot of fun, almost all of them playing against type. Having said all of that, the film is still worth checking out. It's paced too leisurely (it's only 90-minutes in length, but feels more like two-and-a-half hours), Jean-Claude Tramont's direction is too light (the film needs more of a thematic punch in several scenes), and much of it's humor is surprisingly too subtle (odd seeing that most film comedies have the opposite problem). While the film is certainly not without it's flaws, I have interestingly always thought ALL NIGHT LONG contained somewhat of a bizarre charm, and I've always wished it would receive a re-evaluation from the film-going public.Īs mentioned before, the film has it's problems. It is also often cited by most of Streisand's die-hard fans as their least favorite film of the actress. Though it received some positive reviews (most notably from Pauline Kael and ROLLING STONE magazine), most mainstream critics hated it and audiences all but completely ignored it. gives a very believable performance.much underrated!!!The film is short,sweet and to the point not a great movie, but certainly not the disaster thought to be.nicley directed by Jean Claude Tramont with a European flair.Hackman is really wonderful in his role and there is a nice chemistry between the leads.Give it a chance you wont be disappointed!!Ī huge box office bomb upon release, ALL NIGHT LONG has been criticized by many for it's uncomfortable mix of odd-ball comedy and quaint slice-of-life drama. Streisand is excellent in this role, she totally loses all the Streisand mannerisms& personna that she is famous for,: she is not Fanny, not Dolly, not Katie or even Esther, she is Cheryl, with a hint of Marilyn Monroe, even sings off key. and Hackmans life progressively is altered. Along comes,sexy, blonde, Cheryl riding her motor bike.an atypical role portrayed by Streisand. no hit record associated with it/ no directorial or producing chores done by Babs here.This was a small movie,about the mid life crisis of the main character played very well by Gene Hackman ! He needs a change from his job, his nagging wife, played by Diane Ladd, and his annoying son, Dennis Quaid. Streisand was repaying a favor for agent Sue Mengers/ & this was not a typical Streisand film.no singing. audiences stayed away.STREISAND was criticized for not only being miscast but replacing Lisa Eichorn who was fired. hmm.Įdmund Tyrone: Perhaps it would be wise to change the subject.When It was first released in 1981, this film was dismissed as a disaster !! Most critics disliked and or dismissed it. Dante Gabriel Rossetti, who was a dope fiend, a. Don't compare him with the pack you've got here.
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I don't doubt he liked his glass - it's a good man's failing - but he knew how to drink that it didn't poison his mind with morbidness and filth. Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read.Įdmund Tyrone: They say he was a souse, too. "Baudelaire." And Swinburne, and Oscar Wilde.
Atheists, fools and madmen! And your poet, this. James Tyrone: This damned library of yours: Voltaire and Rousseau and Schopenhauer.
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